Jill Magid


 
*1973 in Bridgeport, USA
lives and works in New York, USA
 
1998-2000 Massachusetts Institute of Technology, Cambridge, USA
1991–1995 Cornell University Ithaca New York, USA
 
 

SOLO EXHIBITIONS

2016
The Proposal, San Francisco Art Institute, San Francisco, USA
Ex-Voto, Labor, Mexico City, Mexico
The Proposal, Kunst Halle Sankt Gallen, St. Gallen, Switzerland

2014

Mujer con Sombrero, Woman with Sombrero, MAZ Museo de Arte Zapopan, Zapopan, Mexico

Quartet, South London Gallery, London, UK

Homage, RaebervonStenglin, Zürich, Switzerland

Women with Sombrero, Galerie Yvon Lambert, Paris, France 

2013  

Women with Sombrero, Art in General, New York, USA
 

2012 

Faust 24, Labor, Mexico City, Mexico

Failed States, Honor Fraser Gallery, Los Angeles, USA

The Status of the Shooter, Yvon Lambert, Paris, France

Failed States, AMOA-Arthouse, Austin, USA


2011

Closet Drama, Berkeley Art Museum: Matrix Program, Berkeley, USA

2010

A Reasonable Man in a Box, Whitney Museum, New York, USA

2009

Authority To Remove, Tate Modern, London, UK

Objects To Be Handed Over or Destroyed, Yvon Lambert, New York, USA

The Thicker The Glass, Yvon Lambert, Paris, France

2008

Article 12, Stroom and the AIVD (The Secret Service of The Netherlands), the Hague, the Netherlands

2007

With Full Consent, Gagosian Gallery, curated by Sam Orlofsky, New York, USA

Thin Blue Lines, Centre d’arte Santa Monica, curated by Montse Badia, Barcelona, Spain

Evicence Locker, Sparwasser, Berlin, Germany

2005

Libration Point, Stedelijk Museum Bureau Amsterdam, Amsterdam, the Netherlands

Evidence Locker, Technical University Eindhoven, Eindhoven, the Netherlands

Gambier Night, Public Projection, Tschumi Paviljoen Groningen, Groningen, the Netherlands

2004

Thomas Make A Wish, Galerie L’Observatoire, Brussels, Belgium

2003

Tall Tale Smale Scale, Galerie van Gelder, Amsterdam, the Netherlands

2002

Facades, Museum van Loon, Amsterdam, the Netherlands

Rhinestoning Headquarters by System Azure, Permanent Installation, Amsterdam Police Headquarters, Amsterdam, the Netherlands


SELECTED GROUP EXHIBITIONS


2017
Watched! Surveillance, Art & Photography, C/O Berlin, Berlin, Germany
Pasajeros 02: Ester McCoy, Museo Jumex, Mexico-City, Mexico
Finesse, Wallach Art Gallery, Columbia University, New York, USA
Please Come Back, Museo Nazionale Delle Arti Del XXI Secolo, Rome, Italy

2016
grammars, Dunedin Public Art Gallery, Dunedin, New Zealand
Manifesta 11, The European Biennial of Contemporary Art, Zürich, Switzerland
Um die Ecke denken – Die Sammlung Museum Haus Konstruktiv (1986 – 2016) und Gastinterventionen, Museum Haus Konstruktiv, Zürich, Switzerland
Electronic Superhighway (2016 - 1966)
, White Chapel, London, UK
 

2015

GLOBALE: Global Control and Censorship, Zentrum für Kunst und Medientechnologie Karlsruhe, Karlsruhe, Germany 

Emergency Measures, The Power Station, Dallas, USA 

ET MON DROIT, Copperfield Gallery, London, UK

Reads Like A Book. The Book Lovers Project, Cricoteka, Krakow, Poland

5 Years RaebervonStenglin, RaebervonStenglin, Zürich, Switzerland

2014

Eyes on the Street,Cincinnati Art Museum, Cincinnati, USA

curated by_Magalí Arriola. A Mouse Drowned in a Honey Pot. Galerie Martin Janda, Vienna, Austria

INFINITE TUNING, Murray Guy, New York, USA

The Built Environment - Lower East Side in Istanbul, Mixer, Istanbul, Turkey

The Crime Was Almost Perfect, Witte de With, Rotterdam, the Netherlands

2013

The Book Lovers, Elizabeth Foundation of the Arts (EFA), New York, USA

Monkey Business - The paradox of value, Galerie Sophie Scheidecker, Paris, France

2012

Now Here is Also Nowhere. Part 1, Henry Art Gallery, Seattle, USA 

Four Nights, Four Decades, Video Series, The Power Station, Dallas, USA

Sculpted Matter, Paul Kasmin Gallery, New York, USA

Mind the System, Find the Gap, Z33, Hasselt, Belgium

Bucharest Biennial 5, Bucharest, Romania

Cancelled, The Center for Book Arts, New York, USA

Campaign, C24 Gallery, New York, USA

Who’s Afraid of Red Yellow and Blue?, La Maison Rouge, Paris, France

2011 

Architecture of Fear, Z33, Hasselt, Belguim 

Internation Incheon Women Artist’s Biennial,  Incheon, Korea

Secret Societies, Schirn Kunsthalle, Frankfurt, Germany

The Singapore Biennial. Open House, curated by Trevor Smith, Singapore

Museum of Display, Extra City, Antwerp, Belgium

Playtime, Yvon Lambert, New York NY, USA

2010

Free, curated by Lauren Cornell, The New Museum, New York NY, USA

A Place Out of History, curated by Magali Arriola, Museo Tamayo, Mexico City, Mexico

A Theory of Vision: A Review, Centrum Sztuki Wspotczesnej Zamek Ujazdowski, Warszawa, Poland

History of Art, curated by Mihnea Mircan, The David Robert Art Foundation, London, UK

Assume the Position, Townhouse Gallery, Cairo, Egypt

S.M.A.K Going GAGA, Museum S.M.A.K presents GAGARIN the artists in their own words, Ghent, Belgium

2009

Espèces D’Espace, Yvon Lambert, New York, USA

Art Basel Miami Beach Ocean Front Projection, Creative Time, Miami, USA

Image Search, PPOW, New York, USA

2008

Closer, Beirut Art Centre, Beirut, Libanon

Capital Jewelers, Las Vegas, USA

The Man Who’s Shoes Squeacked, Richard Telles Fine Art, Los Angeles, USA 

The New Normal, ICI and Artists Space, New York, USA

My(Public)Space, Montevideo Time Based Arts, Amsterdam, the Netherlands

Under the Influence, Center for Curatorial Studies at Bard and the Hessel Museum of Art, Annandale-on-Hudson, USA

Working Title, Momenta Art Brooklyn, New York, USA

Portrait of the Artist as Researcher, Beursshouwburg, Brussels, Belgium

2007

Americans in New York, Michel Rein Gallery, Paris, France

The Dotted Line, Rotunda Gallery, New York, USA

Bare Life, Museum of Seam, Jerusalem, Israel

Selected Works from Aspect Magazine, Axiom Gallery, Boston, USA

Extimity, FRAC Lorraine, Metz, France

Lost and Found City, curated by Bard Curatorial Program, Storefront for Art and Architecture and Orchard, New York, USA

2006

Naked Life, Museum of Contemporary Art Tapei, Tapei, Taiwan

Lost and Found, Video Screening, Art in General, New York, USA

Chaos Communication Congress, 23rd Annual Hackers Conference Art Exhibition, Berlin, Germany

Balance and Power - Performance and Surveillance in Video Art, Rose Art Museum, Waltham, USA

The 7th Side of the Die, Alona Kagan Gallery, New York, USA

Supervision: Jill Magid and Nicoline Harskamp, UCR Museum of Photography, Riverside, USA

2005

And the Story Begins, Galerie van Gelder, Amsterdam, the Netherlands

Balance and Power, Krannert Art Museum, Champaign, USA

Positioning Statement, Image Cairo 3, Townhouse Gallery, Cairo, Egypt

DMZ 2005_Korea, A project between North and South Korea

HTMlless, International Biennial of Cyberart, Montreal, Canada

ADAM, Smart Project Space, Amsterdam, the Netherlands

On Patrol, De Appel, Amsterdam, the Netherlands

2004

Retrieval Room, FACT, Liverpool Biennial, UK

Video Program, De Balie, Façade Screening, Amsterdam, the Netherlands

2003

Film@33, TURF, Brooklyn, USA

Yellow Pages, Turm Gallery, Bonn, Germany

2002

Surveillance and Control, World Information Exhibition, Amsterdam, the Netherlands

Museum Night: Home Movies, Museum Van Loon, Amsterdam, the Netherlands

Married by Powers, with Paulina Olowska, TENT, Rotterdam, the Netherlands


PERFORMANCES/READINGS


2012

Failed States, A Reading, Art in General, New York, USA

2011

Closet Drama, Location One, New York, USA

The Redacted Manuscript, Museo Tamayo, Mexico City, Mexico

The Redacted Manuscript, The New Museum, New York, USA

2010

The Redacted Manuscript, Modern Mondays at Museum of Modern Art, New York, USA

2009

Undergrounds, Tracey Williams Gallery, New York, USA

2007

The FM Ferry Experiment, Staten Island Ferries, New York, USA

Jill Magid at The Bowery Poetry Club, with Ed Vas, New York, USA

Lincoln Ocean Victor Eddy, with Ed Vas, Orchard, New York, USA

Lincoln Ocean Victor Eddy, with Ed Vas, Eyebeam, New York, USA

Performances A-Z, Storefront from Art and Architecture, New York, USA

2006

Intimate Relations, The Poetry Project at St.Mark’s Church, New York, USA
Composite, with Bradley Pitts, Alona Kagan Gallery, New York, USA

2003

Kafkahouse, Manifestacao International de Performance, Belo Horizonte, Brasil

2002

Rhinestoning Headquarters, Security Ornamentation Installation, Police Headquarters, Amsterdam, the Netherlands

2001

Unmade, Facades, Museum Van Loon, Amsterdam, the Netherlands

Intimacy, Collaboration with Pure Luck Dance Group, De Parel Gallery, Amsterdam, the Netherlands

Intimates Unfolding, Xth Ave Lounge, New York, USA

The Lap Cushion, Public Performance, Boston, USA

Monitoring Desire, Harvard Science Centre, MIT Thesis Performance, Cambridge, USA

Lobby 7, MIT Main Lobby, Cambridge, USA

1999

KissMask, Public Performance, Cambridge, USA

Urban Attire, Public Performances, Cambridge, USA


GRANTS AND AWARDS


2006 Basic Stipendium. Fonds voor Beldende Kunsten, the Netherlands

2005 Mama Cash. Grants for Art Culture and Media

2002 The Reverse Torah. Project Grant. Stichting Schürmann – Krant.

2001-2002 Bank LaBouchere Stipend for Rijeksakademie residency.

The Netherland – America Foundation Fellowship. Fulbright Grant.

2000 la Flaneuse. Project Grant. MIT Council for the Arts

1999 The Lap Cushion, Project Grant. MIT Council for the Arts

1998 Jacob K. Javitz Fellowship. American Federal Gouvernment Fellowship.

1997 Walter King Stone Memorial Prize. Cornell University, Ithaca, USA


ARTIST PUBLICATIONS

2012
Failed States, Publication Studio, Portland

2010
Becoming Tarden, The New Museum, New York

2007
Lincoln Ocean Victor Eddy, Lower Manhattan Cultural Council, New York

2004
One Cycle of Memory in the City of L, FACT, Liverpool (2nd Edition reprinted in 2011, Incheon Women’s Biennial, South Korea)


PUBLICATIONS

2016
The Proposal. Critical Spatial Practice 8, edited by Nikolaus Hirsch, Carin Kuoni, Hesse McGraw and Markus Miessen, published by Sternberg Press, Berlin
 

2015

Surveiller et sourire. Les artistes visuels et le regard numérique, Sophie Limare, Les Presses de l'Université de Montréal, Montreal